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Beyond its unusual form-factor and bright, 4,000-lumen laser engine with 20,000-hour rated life, the LS500 is reminiscent of other Epson home theater projectors. Like Epson's other 4K-compliant models, it relies on a trio of 1080p LCD imagers to which Epson applies its 4K PRO-UHD pixel-shifting and image processing. This doubles the number of on-screen pixels per frame to about half of what a full-4K projector can do, but as we've reported in many reviews, this difference is virtually impossible to detect with 4K content at normal viewing distances. The 3LCD configuration also means that the Epson stands out in this DLP-dominated product class by providing equal white and color brightness. Furthermore, its lack of a sequential color wheel makes it impervious to rainbow artifacts, though some UST DLP projectors can claim high immunity to rainbows.
One oddity is that the Android TV stick outputs all content at 4K with an HDR flag, as verified by the projector's Info screen and that of another 4K display I tried it with. This is true even when the program is clearly labeled on Netflix or Amazon as standard dynamic range 1080p HD, and it remained true even when I attempted to reset the resolution and bit depth settings in the stick's setup menu. This further means that the projector's HDR brightness control is alway active, even with native SDR content. SDR looked great with adjustment of that control, and I never saw the obvious gamma and color distortions typical when HDR tone-mapping is applied to SDR. But it was clear I wasn't getting the same punchy contrast with good HDR programs, such as Amazon's Upload, that I saw when I swapped in my Amazon 4K Firestick or Roku Ultra media player.
Epson provides its usual extensive palate of picture adjustments, which are available for all modes. There is a broad 9-position setting for color temp as well as RGB Gain and Bias controls and a separate Grayscale control that allows individual adjustment of brightness for red, green, and blue, or the whole lot together. A full RGBCMY color management system (CMS) is on board for adjusting Hue, Saturation, and Brightness. Epson's Gamma control provides multiple settings plus a graphic Custom mode. There's also the five position (plus Off) Enhancement control found in other Epson 4K projectors that activates the pixel shifting and offers graduated degrees of detail enhancement. Preset 3 is suitable for most 4K content without adding unnatural edge enhancement, though I occasionally goosed it up with 1080p discs or 1080i cable box programs. Other resolution and detail enhancement controls are also available. Beyond this are panel alignment features to eliminate any RGB fringing should you find any (I saw none that required correction). In short, the projector comes out of the box ready to watch, but beneath the surface it's a tweaker's delight.
Full 1080p 3D. The Dynamic mode, which was otherwise noticeably green-biased, actually looked acceptable on 3D through the Xpand Vision Lite RF glasses I used and brought to bear the full brightness of the projector. Using the color temperature settings for this mode to back down the green and punch up the red a bit eliminated any obvious remnants of green in faces and brought back a touch of warmth; playing a bit with the Brightness and Contrast on individual titles then resulted in the brightest and best color-balanced 3D I can recall seeing in my studio. The LS500's 3D menu includes a Brightness setting (which I immediately set to High) and a 3D Depth control that was usually best left on its default but allowed depth to be effectively increased or decreased to accommodate taste and content. As noted above, the Frame Interpolation feature is also active for 3D, and I used it to infuse a touch more brightness and realism to the picture. 2b1af7f3a8